Fifteen minutes Deformation, 2013
live sound installation, operation time: 15min
pressure mats, printers, shredders, paper, sound equipment

above: installation views at Goldsmiths BA Fine Art degree show, 2013

Video: Documentation video of Fifteen minutes Deformation in operation.

The mixture of sound, performance and installation work deals with a sort of body's passive-aggressive sense of the sublime. In the work, the audience performs as they activated a number of sensors hidden throughout a church which triggered various printouts from around 60 printers that are clustered in a central space. The printouts are then periodically shredded and I processe the sounds to the shredding in real-time as source material for a sound work/ performance. Through a process of building a solid physical body to sound material it questions new conceptual level of body in new time frame. With challenging the political rules and materials of sound, this large scale of installation tries to examine whether there can be reachievement of a corporeity.